Monday, April 30, 2012

Oakland's Vinyl Vault - Wonderwall Music

Today we dip into the vinyl vault and pull out an album that has some fun trivia attached to it: it was the first album to be released by Apple Records, and it was the first official solo album by a member of the Beatles. It is also one of the few albums I own that was given to me as a present (thanks Justin!).

It's Wonderwall Music by George Harrison!


Release date: November 1, 1968

Although this album is by George Harrison, he isn't on it, he just wrote and produced it.  In case you can't tell, this is actually a soundtrack for the movie Wonderwall, which, if you're interested in watching it, is available on Youtube.  Like most movie scores, it's almost entirely instrumental.

George Harrison had never written a soundtrack for a movie before, and I think that is somewhat obvious when you watch the movie.  I also wonder(wall) if the people who asked George Harrison to do the soundtrack realized that they were going to get a lot of Indian music out of the deal, because there's nothing particularly Indian about the movie.

But enough about the movie, I'm here to talk about the music, independent from anything else. This album was made while George Harrison was a member of the Beatles, but there's nothing Beatle-ish about it. As I mentioned before, a lot of it is very Indian sounding, and in fact a lot of the album was recorded in India. While I think it fails as a movie soundtrack, it does fairly well for an instrumental album. I think George does a good job of using traditional Indian instruments to play more western music. He also mixes in some non-Indian numbers that were recorded back in England. The end result is fairly interesting and pretty easy on the ears.

Rating: Four thumbs up - certainly not a must-have in the catalog, but a nice addition and a historic one to boot. If you're a Harrison fan, and you can find it, I would recommend getting it.

Now it just wouldn't be a George Harrison solo album without an appearance by Eric Clapton, and this album doesn't disappoint (though he is credited as Eddie Clayton). Here's Clapton on Ski-ing:



Pat is crazy.

Sunday, April 29, 2012

A Show with Ze Frank

Ze Frank, of The Show with Ze Frank, is back with a show, A Show with Ze Frank.

Saturday, April 28, 2012

Wednesday, April 25, 2012

Lockout

Hello again! I was going to write a informative post about the political happenings of the day, but then realized that Justin is far better at that sort of thing (thanks Justin!), and decided instead just to do what I do best mediocre-ly well: review shit.

This time it's the movie Lockout, which is about a prison in space.



The movie starts out with our hero, Snow, who I think maybe some sort of government agent although it's not really made too clear, being blamed for trying to steal some government secrets, although he claims he was really trying to protect them. Anyway, nobody is buying that so they plan on sending him to MS-1, a prison in space, for 3 years. Meanwhile, however, the President's daughter is on MS-1 and inadvertently allows all the prisoners to escape. Whoops! So now, instead of just going to prison, Snow is being allowed (for some reason) to try and rescue the President's daughter, and at the same time secretly find his buddy, who happens to be a prisoner on MS-1, who can prove that he is innocent of the whole stealing government secrets thing. How fun!

So that's the setup. Edward Douglas, a professional movie reviewer, said this movie was like "Die Hard meets Blade Runner," which I totally agree with. It's like Die Hard because it features one vigilante taking on the bad guys from the inside, and it's like Blade Runner because... um... well... because it's set in the future. So really, you could have said that it is Die Hard meets Wall-E and still been just as correct.

Now, for the record, I love this kind of movie, mostly for it's unintentional comedic value. And this one did not disappoint. It's got lots of action, with "witty" remarks after various fights, and some horrible, 5th-grade level plot writing. Goldmine. A lot of these types of movies bend the laws of physics to make the stunts more exciting. This movie, however, takes physics and kicks it in the balls.

So now, for my own amusement, and to give you an idea of just how ridiculous this movie is, I will review the stuff in this movie that is implausible, and the stuff that kicks physics in the balls.

IMPLAUSIBLE:

First and foremost, a prison in space. Why in the HELL would we spend butt-loads of money to build, operate, and transport prisoners to this prison? The movie feebly tries to explain this by saying that they are actually using the prisoners to experiment on them to learn more about the possibility of deep-space travel. I appreciate the effort, but not really convincing me that it is worth it. Next, the prison has a very formidable EXTERNAL defense system, consisting of automatic gun turrets that fire at approaching ships. I have no idea why they installed it. Seems quite unnecessary for a prison in space to guard from threats coming from outside the prison... in space. Meanwhile, they appear to have no defense system at all inside the prison, since all the prisoners are kept in "stasis," which appears to be similar to cryogenically freezing. Third, is that while the prison is in space, apparently it is not kept in a stable orbit, because when the pilot or whatever of the prison dies, it immediately begins falling out of space, conveniently heading for the eastern seaboard instead of the 75% of the earth covered by water.

My favorite part, however, is the 25th Amendment that is invoked in this movie. Here's the setup: the space prison is falling out of space towards Manhattan, and the military brass wants to blow it to pieces before it gets there. The President is understandably not on board with this because it would kill his daughter. Who's going to win out? Will the President kill his daughter (and some worthless criminals) to potentially save thousands of lives on Earth? Well, luckily we don't have to wonder too long because the military guy immediately invokes the 25th Amendment, which states: if the President's decision making ability is impaired for personal reasons, then the decision may be made by the nearest asshole... or something like that... pending the approval of Congress. I have to say, I am SHOCKED that the 25th Amendment was ratified. What were we thinking?

KICKING PHYSICS IN THE BALLS:

First off, I'm just going to ignore the whole "gravity generator" thing, because even though I don't think it's possible to generate gravity, it is set in the future and a lot of science fiction movies set in space don't even acknowledge the fact that all the actors are walking around on spaceships even though there should be no gravity.  At least, I would ignore it if it stopped there.  But no, it doesn't, because our hero, Snow, en route to completing his mission, must cross over this gravity generator with a Last Crusade style leap of faith. You see, for inexplicable reasons, there is no gravity directly above said gravity generator, and this will allow our hero to cross safely. And, once again, I would have given it a begrudging pass if it had stopped there.  But it didn't.  Oh no. You see, because when the gravity generator stops working... there is gravity. In space. What the shit?

And the no-gravity in space misunderstanding doesn't stop there. The biggest kick to the genitalia of science comes near the end of the movie when our hero and lovely lady escape from space prison by simply jumping out of it, where they should float safely away, it being space and all. Except in this space instead of floating our heroes plummet straight towards the surface of the earth, sky diving from what appears to be hundreds of miles above the surface of the earth. Because, apparently you can do that.

Well, that's all folks. I hope you enjoyed it. Pat is crazy.

Saturday, April 21, 2012

Sunday, April 15, 2012

It's Going to be All Right

Decline of Democracy

In 2010 the Republican Party swept to power in state governments across the country. With the corporate co-opted Tea Party movement fueling the enthusiasm for the Republican agenda, state legislatures quickly went to work addressing Tea Party concerns. The President of the United States was not a natural citizen. His birth certificate was a fake. Massive voter fraud must have brought him to office, I mean who would vote for a black man?

In more than a dozen states new laws have been put into place which make it more difficult for students and communities of color to exercise their right to vote. The United States Department of Justice had to intervine to block laws passed in Texas and South Carolina for violating the Voting Rights Act. The state of Texas is currently objecting to the continuation of the Voting Rights Act. The NAACP has been compelled to send a delegation to Geneva to petition the United Nations Human Rights Commission to bring attention to how these new laws threaten the voting rights of millions of US citizens. While most of these laws are being put into effect in the south, the state of Michigan has put in place the most reprehensible of these new laws.

Rick Snyder, the sitting Governor of Michigan, has pushed through a law, which has given him, no overstatement here, dictatorial powers to disincorporate entire municipal governments, fire elected officials, and the ability to put in power anyone of his choosing, with no oversight. Maddow gives a good rundown of the present situation in the Wolverine State:

Visit msnbc.com for breaking news, world news, and news about the economy

Friday, April 6, 2012

Oakland's Vinyl Vault - The Velvet Underground

Hello children! Sorry I've been away so long, but I've been surprisingly busy for an unemployed person. Anyway, let's get back into it. This week we've got a good one, so I hope it was worth the wait: it's the eponymous album from the Velvet Underground.



Release Date: March, 1969
Singles: What Goes On

This album was the first Velvet Underground album without founding member John Cale, leaving front man Lou Reed pretty much in complete control of the band. The result was a much softer, folk-inspired sound than the previous albums.

I really like this album. It's a great album to relax to. The songs are simple, yet beautiful. Simple, that is, until you get to "The Murder Mystery," where it gets a little weird. Sterling Morrison and Lou Reed talk simultaneously so it's hard to understand what either is saying, and even reading the lyrics it's hard to figure out what any of it means. That said, it's a strangely enchanting song.

Rating: 12 thumbs up - Lou Reed was on top of his game for this album. A classic from one of the most influential bands in the 60s.

And now here's "I'm Set Free." Enjoy!



Pat is crazy